It’s fair to say my technical approach to photography has shifted. Gone are the days of lugging eight pounds of Nikon bodies and lenses across Europe. Or backpacks loaded down with Cirkut panoramic cameras. Or car trunks filled with 4×5 view cameras, massive tripods and film holders.
No, my gear kit is decidedly minimal these days. With my new emphasis on photographing my walking experiences—let’s call it street photography with velocity—too much equipment simply gets in the way. And it kills my back. (more…)
Moment’s collection of smartphone cases and add-on lenses promise to extend the versatility of my iPhone 8 Plus. How well do they work? Read on. And (pssst…), I have a YouTube video version of my review at the bottom of this blog post.(more…)
There can be no doubt, my Cirkut No. 6 Outfit draws attention wherever it goes. It is a beautiful thing to behold, this wood and brass camera perched atop its spindly wood tripod. And to witness it in motion, engine purring as the camera slowly rotates, is a mesmerizing experience. I see its effect on bystanders as I demonstrate its workings. I watch the giddiness of people, arranged in an arc around the camera, each waiting for the lens to swing around, to briefly point at them and capture their likeness as it continues its sweep across the group. It draws press attention too. The camera has appeared, along with me, in several newspaper articles. CBC television took notice as well, producing a lengthy documentary about my work with the Cirkut camera that was seen across Canada! (more…)
Looking back, it is hard to believe that this is a camera I willingly chose to work with. I had been seeking an expanded point of view since the late 1970s. Just a year ago, I was using multiple images to fabricate complex vistas for the Trail Markers project. A year before that, there was the series of wide-ranging, wide-visioned panoramas taken with the Horizont panoramic camera.
It’s 1987. Those projects are completed. I’m looking for the next logical step in my photographic explorations. A tiny classified ad on the back pages of Shutterbug magazine grabs my attention. On offer was an antique Cirkut No. 6 Outfit panoramic camera. Without knowing anything about Cirkut cameras, other than their ability to take large scale, full-circle panoramic images, I place my order with the vintage camera dealer in some New England state, for something like $1,000 dollars. (more…)
A small format camera is the photographer’s sketchbook, the place where ideas can be quickly explored before paint is applied to that big, forever canvas of the final print. Over two decades, my coterie of Nikon cameras and lenses ably served as my sketchbooks.
Push the shutter release button and something unusual happens. No click, just a brief mechanical whir as the narrow slit in a silver drum rotates counterclockwise across the front of the camera. This is the Horizont, a Russian-built swing lens panoramic camera, the first of several devices I would own and use to take long sweeping views of my world. (more…)
I can’t recall when I bought it. 1978 seems about right, the year I acquired the Cambo, my first view camera. Nor can I recall how much I paid for it. $300.00 perhaps.
It was a used enlarger, purchased, like the Cambo, through a Winnipeg Free Press classified ad. I remember visiting an older man, who had carefully stored it under a drape of plastic. He graciously offered a Gra-Lab timer, the de-facto darkroom timer of the day, as part of the package. I like to think he saw me as a serious photographer, someone who would use his equipment to make beautiful prints. The deal was done. I happily lugged the awkward beast home and set about building the first of several darkrooms to house it. (more…)