You may recall my quest for the perfect mobile backup strategy for photographs taken while on a long walk.
First there was the Kingston MobileLite Wireless G2, a nice, compact, lightweight means of transferring image files from my SD cards to flash drives. Unfortunately, the backups have proven to be unreliable with the MobileLite often stalling or freezing mid-transfer.
That led to the MediaShare Wireless by Verbatim (about CDN $32), also compact and lightweight and successful in backing up my camera cards to flash drives. My review was quite glowing. But I became frustrated with the software. First, it took far too long for Verbatim to upgrade the software to iOS 11. And once it did, I could not get the app to upload photos from my SD card to my iPad. That led to a two month long email debacle with Verbatim support that, in the end, provided no answer.
That frustration led me to the FileHub RP-WD03 by RavPower (about CDN $50). It’s very similar to the Verbatim unit. It has a slot for USB flash drives or hard drives and another for an SD card. It connects by wifi with an iPad, iPhone or Android device and a dedicated app. Verbatim has its MediaShare app and RavPower has the FileHub Plus app. Continue reading
My last post dug into the camera bag slung over my shoulder. Cameras. Lenses. Filters. My creative tools.
As I mentioned in that post, my kit is tailored to the needs of long distance walking where weight and volume are as important as image quality.
But there is another collection of photographic ephemera, the less glamorous bag of technical bits and pieces required to keep my equipment working, to write blogs, to edit photos. It’s the stuff that gets tucked into my backpack, waiting for the day’s walk to be over and an evening of charging and editing and blogging to begin. Continue reading
It’s fair to say my technical approach to photography has shifted. Gone are the days of lugging eight pounds of Nikon bodies and lenses across Europe. Or backpacks loaded down with Cirkut panoramic cameras. Or car trunks filled with 4×5 view cameras, massive tripods and film holders.
No, my gear kit is decidedly minimal these days. With my new emphasis on photographing my walking experiences—let’s call it street photography with velocity—too much equipment simply gets in the way. And it kills my back. Continue reading
Moment’s collection of smartphone cases and add-on lenses promise to extend the versatility of my iPhone 8 Plus. How well do they work? Read on. And (pssst…), I have a YouTube video version of my review at the bottom of this blog post. Continue reading
There can be no doubt, my Cirkut No. 6 Outfit draws attention wherever it goes. It is a beautiful thing to behold, this wood and brass camera perched atop its spindly wood tripod. And to witness it in motion, engine purring as the camera slowly rotates, is a mesmerizing experience. I see its effect on bystanders as I demonstrate its workings. I watch the giddiness of people, arranged in an arc around the camera, each waiting for the lens to swing around, to briefly point at them and capture their likeness as it continues its sweep across the group. It draws press attention too. The camera has appeared, along with me, in several newspaper articles. CBC television took notice as well, producing a lengthy documentary about my work with the Cirkut camera that was seen across Canada! Continue reading
Looking back, it is hard to believe that this is a camera I willingly chose to work with. I had been seeking an expanded point of view since the late 1970s. Just a year ago, I was using multiple images to fabricate complex vistas for the Trail Markers project. A year before that, there was the series of wide-ranging, wide-visioned panoramas taken with the Horizont panoramic camera.
It’s 1987. Those projects are completed. I’m looking for the next logical step in my photographic explorations. A tiny classified ad on the back pages of Shutterbug magazine grabs my attention. On offer was an antique Cirkut No. 6 Outfit panoramic camera. Without knowing anything about Cirkut cameras, other than their ability to take large scale, full-circle panoramic images, I place my order with the vintage camera dealer in some New England state, for something like $1,000 dollars. Continue reading
A small format camera is the photographer’s sketchbook, the place where ideas can be quickly explored before paint is applied to that big, forever canvas of the final print. Over two decades, my coterie of Nikon cameras and lenses ably served as my sketchbooks.