Using Contrast Filters with Polaroid SX-70 Black and White Film

NOTE: You will find the YouTube video version of Using Contrast Filters with Polaroid SX-70 Black and White Film at the end of this post.

Polaroid Black and White integral film for SX-70 cameras has become a favourite of mine. I love the deep blacks and crisp whites of this contrasty film yet it still captures a good range of subtle mid-tones. As opposed to colour SX-70 films, which often have pink highlights among other odd tonal shifts, the black and white films have a consistent, reliable tone. Right out of the camera, the images have a neutral tone but, over several hours or days, the tones warm up. Not to an over-the-top sepia tone but a subtle warm quality that adds depth to the picture. Lastly, Polaroid monochrome films develop faster than their colour cousins; images can be evaluated in five minutes compared to fifteen minutes for colour. It just makes the Polaroid workflow that much more enjoyable.

Coming from a black and white film background, I am well-acquainted with the use of black and white filters to enhance the tonal rendition of monochrome negatives and prints. And that technique works equally well with Polaroid black and white integral films.

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On Location at Camp Morton for a Polaroid Project

My two year—and counting—foray into the wild world of Polaroid SX-70 photography has taken me in various directions. Recently, I have been working with Polaroid Black and White 600 film and this has led to my current project at Camp Morton Provincial Park in Manitoba. 

Established as a Fresh Air Camp in 1921, the site was once an escape for underprivileged children from nearby Winnipeg. Set on the banks of Lake Winnipeg, the eleventh largest fresh water lake on planet Earth, it would have been a happy place to swim, play, breath in fresh country air. The camp ceased operating in 1971 and has since been transformed into a Provincial Park. While many of the unique camp buildings have been retained, they are all in various stages of decay. In particular, lakefront stairs, retaining walls and other structures have been ravaged by the angry lake, which completely freezes over in winter.

It seemed a perfect subject for a black and white photo project.

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First Snow in Black and White and Polaroid

My Polaroid work of late has been entirely in colour, using the latest iteration of Polaroid SX-70 colour film. However, for some time I have coveted the opportunity to play with Polaroid’s Black and White SX-70 film. After all, I was a black and white film photographer for twenty-plus years leading up to my introduction to digital photography—and colour— at the turn of this century.

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