Polaroid Now+ Camera Tip No. 2: A Simple Filter Holder Hack

If you have been following my recent SX-70 posts, you will know that I have a fanatical desire to reign in the capricious behaviour of SX-70 cameras and films, all in an attempt to maximize the quality of the ejected photos. This has included a deep-dive into the Zone System, using a calibrated variable neutral density (VND) filter to gain more exact exposure control and using black and white filters to enhance Polaroid black and white photos. 

All these techniques require a manually controlled camera which, until recently, was limited to the rather pricey MiNT SLR670-S, my camera of choice. With Polaroid’s release of the Now+ comes an affordable means to manually control shutter speed and aperture settings using the Polaroid app . What’s missing is some way to attach a VND. And, although the Now+ comes with light yellow, light orange and light blue slip-on filters, which can be used with Polaroid’s black and white films, it would be nice to attach darker versions as well, such as red and green black and white filters in front of the Now+ lens.

Fortunately, there is an easy hack that costs nothing. Polaroid kindly includes a rubbery slip-on lens cap with the camera. The front of the cap has a slightly recessed area stamped with the Polaroid logo. By carefully cutting out this recessed panel, it turns out that the opening is just the right size to friction-fit 40.5mm filters. Simply slide the modified lens cap over the lens and twist-in whatever 40.5mm filter you wish to use. 

Continue reading

A Review of Polaroid’s Affordable Now+ With Manual Control: Is It Worth It?

NOTE: You will find the YouTube video version of Using Contrast Filters with Polaroid SX-70 Black and White Film at the end of this post.

Polaroid recently introduced the Now+ camera, a box-style camera based on the original OneStep design but with one unique feature: using the Polaroid app, which can be freely downloaded for both iOS and Android devices, the camera’s shutter speeds and apertures can be manually controlled. As a user of MiNT’s SLR670-S camera, which is the only other Polaroid camera to offer manual controls, I was curious to test out the Now+. In fact, I was more than curious; I was hopeful that the Now+ would offer a feature missing in my MiNT camera: the ability to set shutter speeds and apertures at ½ or ⅓ EV settings.

Continue reading

Using Contrast Filters with Polaroid SX-70 Black and White Film

NOTE: You will find the YouTube video version of Using Contrast Filters with Polaroid SX-70 Black and White Film at the end of this post.

Polaroid Black and White integral film for SX-70 cameras has become a favourite of mine. I love the deep blacks and crisp whites of this contrasty film yet it still captures a good range of subtle mid-tones. As opposed to colour SX-70 films, which often have pink highlights among other odd tonal shifts, the black and white films have a consistent, reliable tone. Right out of the camera, the images have a neutral tone but, over several hours or days, the tones warm up. Not to an over-the-top sepia tone but a subtle warm quality that adds depth to the picture. Lastly, Polaroid monochrome films develop faster than their colour cousins; images can be evaluated in five minutes compared to fifteen minutes for colour. It just makes the Polaroid workflow that much more enjoyable.

Coming from a black and white film background, I am well-acquainted with the use of black and white filters to enhance the tonal rendition of monochrome negatives and prints. And that technique works equally well with Polaroid black and white integral films.

Continue reading