A Review of Polaroid’s Affordable Now+ With Manual Control: Is It Worth It?

NOTE: You will find the YouTube video version of Using Contrast Filters with Polaroid SX-70 Black and White Film at the end of this post.

Polaroid recently introduced the Now+ camera, a box-style camera based on the original OneStep design but with one unique feature: using the Polaroid app, which can be freely downloaded for both iOS and Android devices, the camera’s shutter speeds and apertures can be manually controlled. As a user of MiNT’s SLR670-S camera, which is the only other Polaroid camera to offer manual controls, I was curious to test out the Now+. In fact, I was more than curious; I was hopeful that the Now+ would offer a feature missing in my MiNT camera: the ability to set shutter speeds and apertures at ½ or ⅓ EV settings.

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Using Contrast Filters with Polaroid SX-70 Black and White Film

NOTE: You will find the YouTube video version of Using Contrast Filters with Polaroid SX-70 Black and White Film at the end of this post.

Polaroid Black and White integral film for SX-70 cameras has become a favourite of mine. I love the deep blacks and crisp whites of this contrasty film yet it still captures a good range of subtle mid-tones. As opposed to colour SX-70 films, which often have pink highlights among other odd tonal shifts, the black and white films have a consistent, reliable tone. Right out of the camera, the images have a neutral tone but, over several hours or days, the tones warm up. Not to an over-the-top sepia tone but a subtle warm quality that adds depth to the picture. Lastly, Polaroid monochrome films develop faster than their colour cousins; images can be evaluated in five minutes compared to fifteen minutes for colour. It just makes the Polaroid workflow that much more enjoyable.

Coming from a black and white film background, I am well-acquainted with the use of black and white filters to enhance the tonal rendition of monochrome negatives and prints. And that technique works equally well with Polaroid black and white integral films.

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