Konica introduced the Autoreflex T in 1968, the company’s first fully automatic 35mm single lens reflex (SLR) camera with through-the-lens (TTL) metering. The camera is built like a tank and, when the shutter-release button is pushed, it sounds like one. Its heft might suggest it was carved out of a solid block of steel.
The camera came with a 52mm f/1.8 Hexanon lens, those days considered a not-too-wide, not-too-telephoto good standard focal length. Its all-metal barrel gave it a weight and sense of durability to match the camera body. The bayonet mount, introduced with the Autoreflex T, allowed for quick lens changes. Indeed, my kit soon filled out with 135mm telephoto and 28mm wide angle lenses.
Around 1973, I acquired the just-introduced Konica Autoreflex T3, an updated version of my first camera. The Autoreflex T was relegated to use as a back-up body or loaded with a different film. With two camera bodies, either switching film speeds or film type during a shoot simply required a quick change of lens from one body to the other.
This photography kit would be by my side through the bulk of the 1970s. My understanding of photography would evolve over that period, alongside my design education at the University of Manitoba’s Faculty of Architecture. Continue reading