My last post dug into the camera bag slung over my shoulder. Cameras. Lenses. Filters. My creative tools.
As I mentioned in that post, my kit is tailored to the needs of long distance walking where weight and volume are as important as image quality.
But there is another collection of photographic ephemera, the less glamorous bag of technical bits and pieces required to keep my equipment working, to write blogs, to edit photos. It’s the stuff that gets tucked into my backpack, waiting for the day’s walk to be over and an evening of charging and editing and blogging to begin. (more…)
It’s fair to say my technical approach to photography has shifted. Gone are the days of lugging eight pounds of Nikon bodies and lenses across Europe. Or backpacks loaded down with Cirkut panoramic cameras. Or car trunks filled with 4×5 view cameras, massive tripods and film holders.
No, my gear kit is decidedly minimal these days. With my new emphasis on photographing my walking experiences—let’s call it street photography with velocity—too much equipment simply gets in the way. And it kills my back. (more…)
Walking a pilgrimage can be a solitary activity. Gail and I have each other for company, but many travel solo. On occasion our paths mesh for just a moment, loosely intertwining on the trail or at a temple. We exchange pleasantries as best we can, considering we speak only English and they, with few exceptions, are Japanese and speak only Japanese. The 88-temple route is, after all, a pilgrimage deeply engrained in Japanese history and culture. This is their pilgrimage and we are the Western interlopers.
But there are growing numbers of foreigners plying this path. Just as we discovered the Henro-michi back home, so too have any number of other foreign nationals. We have met pilgrims from the United States, Australia, China, France and the Netherlands.
Today, our route will cross paths with Simon from Germany. (more…)