There can be no doubt, my Cirkut No. 6 Outfit draws attention wherever it goes. It is a beautiful thing to behold, this wood and brass camera perched atop its spindly wood tripod. And to witness it in motion, engine purring as the camera slowly rotates, is a mesmerizing experience. I see its effect on bystanders as I demonstrate its workings. I watch the giddiness of people, arranged in an arc around the camera, each waiting for the lens to swing around, to briefly point at them and capture their likeness as it continues its sweep across the group. It draws press attention too. The camera has appeared, along with me, in several newspaper articles. CBC television took notice as well, producing a lengthy documentary about my work with the Cirkut camera that was seen across Canada! Continue reading
Looking back, it is hard to believe that this is a camera I willingly chose to work with. I had been seeking an expanded point of view since the late 1970s. Just a year ago, I was using multiple images to fabricate complex vistas for the Trail Markers project. A year before that, there was the series of wide-ranging, wide-visioned panoramas taken with the Horizont panoramic camera.
It’s 1987. Those projects are completed. I’m looking for the next logical step in my photographic explorations. A tiny classified ad on the back pages of Shutterbug magazine grabs my attention. On offer was an antique Cirkut No. 6 Outfit panoramic camera. Without knowing anything about Cirkut cameras, other than their ability to take large scale, full-circle panoramic images, I place my order with the vintage camera dealer in some New England state, for something like $1,000 dollars. Continue reading