One of several limitations of the current crop of SX-70 films is their sensitivity to temperature. Taking a picture below 13°C could result in a dark, muddy image with a blue/green cast and lacking contrast. Technically, the developer “goo” that spreads across the image as it is ejected from the camera is, more likely than not, to spread unevenly, creating white splotches, spidery lines and/or a snowy field of white specks on the finished picture.
Which is a dilemma if you live in Winnipeg, Canada as I do, where the winter lasts at least ffive months and the temperatures can dip into the minus 20s and 30s Celsius for days on end.
Packing my beautiful Polaroid folding SX-70 camera in a camera bag and waiting for summer to return, is not an option. I need to find a way that allows me successfully make a Polaroid picture in the midst of a cold prairie winter.
What follows is a video outlining what works for me and a few pictures taken using my cold weather technique.
This is the final set of Polaroids in my From Our Windows project. I could continue of course. It’s not as if the pandemic has suddenly vanished. But I am comfortable with what I have captured over the past three months. When I lay out my eighty-plus little framed images, I can see a complete story emerging. The next step? Preparing the book for publication. Stay tuned.
This is the third and final series of Polaroid SX-70 pictures altered with alcohol inks. It has been a curious exercise. Although I apply the inks as a single, tiny dot, how it spreads across the glossy surface of the photo is totally unpredictable and uncontrollable. How appropriate!
All photographs in my From Our Windows project were taken in May, June and July 2020 with a Polaroid SX-70 Land Camera, Alpha 1, Model 2 manufactured January 12, 1977. The film used for this project was Polaroid/Polaroid Originals Color SX-70 Film manufactured by Impossible BV in 2019/2020. All photographs were taken from the interior of my home on Raglan Road in Winnipeg.
This is the first of several experiments using alcohol inks to alter Polaroid SX-70 photos. The glossy Mylar image is the perfect receptor for these inks. I watch as a single drop of ink spreads out across the plastic surface unpredictably. I hope for a circle. I hope that another drop and another colour will blend as I think it should. But the reality is that the ink goes where it wants to go. It’s not in my control.